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Category: Other

What Is The Form Of Japanese Comedy Called Manzai?

I was playing Yakuza 5 Remastered recently and came upon a substory (the Yakuza version of side-quests) where the character I was playing had to perform several impromptu comedy scenes. The comedy itself took the form of a two man show where my comedy partner would tell a story while I would simply respond with in the affirmative until he said something goofy at which point my character would deliver a smack to his head while telling him off. This style of comedy is something that I think most people who experience Japanese media will recognise but many of whom would probably be unable to place a name on. Therefore, I thought it might be interesting to take a look at the form of Japanese comedy called “Manzai”.

In many ways, manzai resembles a Western double act with a straight man and a funny man, here referred to as tsukkomi and boke respectively. The most notable difference though is the interaction between the tsukkomi and the boke. The two hold a conversation, usually on a strange subject, and the boke tells jokes and a story while the tsukkomi follows along until the boke makes an error at which point the tsukkomi reprimands them both verbally and with a dope slap delivered via either their hand or a paper fan. The error in question is usually a misunderstanding based on wordplay or a revelation that paints the story in a less flattering light for the boke.

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The Appeal Of Gory Horror Movies

Disclaimer: This article talks about some disturbing subject matter, if you believe that you may be upset by such content, I’d strongly recommend not reading.

With my birthday coming up soon, a friend of mine got me something that I’d been curious about for a long while, the two Terrifier films. As I’m sure you may’ve heard of, these films feature an enormous amount of severed limbs, impalements and blood in general and I’ve even heard of people vomiting and fainting while watching the second film! I’m not sure what it says about me then that I took the whole film in my stride, enjoying my time with it and feeling unfazed by the violence onscreen, something I thought about more when I realised that a particularly gory and infamous section of the film is three minutes long. Therefore, I thought it might be interesting to talk a bit about gory horror movies and what the appeal I find in them is.

Let’s start by covering some basics. First off, I’ve spoken before about how, while I enjoy gore, I seek deeper meaning to hold my attention span which ranges from good storytelling, intriguing themes and concepts or even just importance in film history. I also want to mention, because I’m sure someone would fail to make the distinction, that gore in movies appeal to me, gore in real-life doesn’t. Just to give a brief example of this, I remember eating my dinner while watching Hellbound: Hellraiser II, a film I love BTW, and someone asked me how I could be eating while the movie was playing. I mentioned how I was unaffected by the gore but, next day, I went out to my cats to find that one of them had given birth and was in the process of eating her kittens. As you can imagine, this disturbed me greatly to the point where I desperately scrambled to save the remaining one all while holding back the urge to vomit. It’s a grim story but I think it perfectly illustrates how I distinguish between real and fictional gore.

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The Meaninglessness Of Referring To Something As Old

An experience that has always stuck with me was when I had just finished my confirmation and I was talking to people outside of the church. A relative of mine, younger than me, was trying to direct someone about his age to me and stated that “He’s the old one over there.” It was the first time that anyone had ever referred to me as old, I was about twelve or thirteen, and it genuinely shocked me. It wasn’t long afterwards that I realised that the concept of something being old is often relative to the point where referring to something as old ends up being so meaninglessness that it requires further clarification. Therefore, I thought I’d share my thoughts on this today.

As you may be well aware of by this point, I’m a big fan of a lot of mediums such as anime, manga, video games, horror etc. and I often find myself enjoying stuff from the 70s, 80s and so on. I notice that I’m relatively alone in that interest with many of my friends instead gorging on much more recent content. I was reminded by this the other day when a friend of mine referred to an anime from the mid-00s as being “old”. While not wrong as we are approaching twenty years since that series came out, it still caught me off-guard as I personally would consider an anime to have been released in the 90s to be the minimum of old while I would more frequently refer to series and movies from the 1980s and earlier as being old.

The cover to the original 1992 Alone in the Dark.
Alone in the Dark came in 1992 and, even if the graphics haven’t aged that well, I still love the game.
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A Look At The Massive Entertainment Company Sanrio

When you think of the titans of the Japanese entertainment industry you might think of Toho, a company responsible for many kaiju films, or perhaps of an anime studio such as Studio Ghibli or TMS Entertainment. However, I thought that I’d take a look at a massive entertainment company which is quite often overlooked when it comes to the Japanese entertainment industry, Sanrio.

Interestingly, when Sanrio was founded in 1960, the company began life as Yamanashi Silk Center which, unsurprisingly, focused on the sale of silk products. After expanding to producing rubber sandals, they noted an increase in sales when cute designs such as flowers and strawberries were added and began to focus more and more on creating cute characters and designs after changing their name to Sanrio in 1973. Their most notable IP was created the next year, 1974, that being Hello Kitty which has since become a franchise worth billions of dollars!

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What Are Espers And Their Prevalence In Japanese Media

When exploring Japanese media such as anime, manga and video games, you’re quite likely to come across a term that is infrequently used in the West, “Esper”. It’s a word that is actually quite easy to understand but, due to our lack of familiarity with the term, many can still be quite confused. Therefore, I thought it might be interesting to take a look at what espers are and their prevalence in Japanese media.

Let’s start with what an esper is. An esper refers to someone who has ESP (Extrasensory Perception), hence the first three letters in the word esper. ESP refers to any ability to obtain information outside of the five senses with examples including telepathy, clairvoyance, precognition etc. Note that the term only refers to the ability to receive information, not the ability to affect the world around such as telekinesis, levitation, astral projection etc. However, as we are going to see, espers in Japanese media are not restricted by this and are often depicted as being capable of exerting force using their psychic abilities.

Tetsuo from Akira is one of the more notable espers in Japanese media.
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The Interesting Trope Of Banchō and Sukeban

As I was watching Ultraman Taro, a tokusatsu series, the other day, there were a couple of episodes where some children were being bullied by their seniors and something that stood out to me was their clothing. Large heavy jackets that were black in colour with a tinge of blue, a peaked cap and quite a few metal accessories. I explained to those present that this outfit indicated that they were juvenile delinquents and that I’d seen them in a variety of Japanese media. Realising that I’d never talked about it before, I thought it might be interesting to take a look at the interesting trope of Banchō and Sukeban.

Let’s begin by looking at what the words “Banchō” and “Sukeban” mean. Banchō, written as 番長 in Japanese, originally referred to a governmental position that involved controlling troops near towns and was repurposed to describe the gangs and leaders of juvenile delinquent males around the mid-20th century. As these gangs refused to admit female members, sukeban, written as スケバン in Japanese, were established which were female juvenile delinquent gangs.

The cover of volume 3 of Kongoh Bancho.
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A Harmless Bit Of Self-Promotion

I started this blog near the end of 2019 and have been consistently releasing two blog posts per week ever since. I recently surpassed 365 blog posts which means that, if you felt so, you could read a post a day for over a year at this point (give it a shot with the newly added Random Post button that is in the widget)! While I’ve been promoting my other work via the blog in subtle ways over the years, I’ve never written a full article dedicated to it. Therefore, I thought that I’ve earned the right to do a harmless bit of self-promotion and taking a look at some of the other places you can find me.

I’ve mentioned my main YouTube channel in the past and think it logical to start there. The channel itself is called “Immortallium” which I’ve since adopted as my online persona and it eventually became a channel dedicated to the mediums of anime and manga with discussions about specific topics, reviews, recommendations etc. I’ve also been laying the ground to begin looking at and discussing tokusatsu which has become a recent interest of mine. If you’re interested in anime, manga or tokusatsu then I would fully encourage you to give my channel a shot and see if you enjoy the content.

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The Fascinating Impact Of The Moon Rabbit

I’m currently watching Ultraman Taro, as part of my recent fascination with tokusatsu, and there was a particular episode where they mentioned the rabbit on the Moon. As you can imagine, the people I was watching the show with were quite confused so I ended up having to explain what the Moon rabbit was to them. However, it brought to mind that I had actually come across the Moon rabbit in a variety of media and that it might be worth discussing. Therefore, I thought that I’d take a look at the fascinating impact of the Moon rabbit on media.

Let’s start with what the Moon rabbit is. When looking at the Moon from Earth, you will only see the near side of the Moon which is covered in lunar maria. Different cultures have interpreted these lunar maria differently with some believing it resembles a man’s face or a lady but the cultures of East Asia and the Native Americans interpreted the lunar maria as resembling a rabbit with the East Asian cultures also seeing a mortar that’s being used to make the elixir of life, mochi, medicine etc.

An outline showing a trace of the Moon rabbit and its mortar.
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How Ken Akamatsu, A Mangaka, Became A Politician

If you had asked me who the first mangaka to become a politician would be, Ken Akamatsu wouldn’t have been my first choice. Not to say that Ken Akamatsu isn’t capable of working in politics but I would have guessed mangaka that dealt more with politics in their works such as Naoki Urasawa. Nonetheless, the reasons are quite fascinating for why Ken Akamatsu transitioned into politics so I thought I’d give a quick background on who Ken Akamatsu is, some of his works, his involvement in politics and how he ended up becoming Japan’s first mangaka turned politician.

Ken Akamatsu was born in Nagoya, Japan on July 5th, 1968 and became interested in manga after encountering Sailor Moon. He ended up submitting a manga to the Shonen Magazine Newcomer Award while he was in college and ended up winning, kick-starting his career as a mangaka. Over the course of his career, some of the most notable manga that he’s created have been “A.I. Love You”, “Love Hina”, “Negima! Magister Negi Magi” and “UQ Holder!”. I most heavily associate him with Love Hina and Negima and something that is particularly notable about those series is the high level of fan service that is used.

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Why Do I Love Revenge Stories So Much?

If I had to guess, I believe the first time I ever came across the concept of revenge was when I originally played Final Fantasy IV. As a child of about six, you can imagine that I didn’t come across the concept of revenge that often, I might not even have been aware of what revenge was, but the subplot of Tellah seeking vengeance against Golbez for the death of his daughter, just like so many other aspects of the game, left quite a deep impression on me. As I began to explore not just video games but media such as film, TV, books etc., I found myself often being drawn to stories dealing with revenge. Therefore, I thought it might be interesting to examine why I love revenge stories so much.

Ever since I was a child, I’ve always felt very strongly about being wronged and the desire to correct these wrongs. Of course, I would never advocate for vengeance outside of storytelling but I do confess that there is something cathartic about seeing a character put everything they have into carrying out their revenge. It also helps that we can often relate to the reasons why the character seeks vengeance such as the death of a loved one, discrimination, abuse etc.

A drawing of Tellah by character designer Yoshitaka Amano.
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