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My Thoughts On Rob Zombie’s Firefly Trilogy

It’s been a while since I wrote about horror on this blog and, so, I thought I’d come back to the topic by discussing a very interesting series of films by musician turned film director Rob Zombie. The Firefly trilogy, not to be confused with a popular one season TV series with the same name, is absolutely fascinating to me not just because of the films themselves but also the transitions in style from film to film. Therefore, I thought it might be interesting to share some of my thoughts on Rob Zombie’s Firefly trilogy, what I think of each film and the trilogy as a whole.

Of course, we’re going to start by taking a look at the first film in the trilogy, House of 1000 Corpses. Originally filmed in 2000 but whose release was delayed until 2003 due to behind the scenes issues with the content, House of 1000 Corpses introduces us to the Firefly family who capture unsuspecting travelers and subject them to all sorts of torture, sadism and mutilation. House of 1000 Corpses was Rob Zombie’s directorial debut and it feels, from a technical perspective, easily the roughest out of the whole trilogy. It is also very tonally different from the other films with a much more over the top and goofy feel. That’s not to say that there isn’t good stuff in this film, the soundtrack is great, there’s some very interesting cinematography and the mixture of comedy and violence can be quite satisfying but it’s still what I’d call a mediocre experience.

The poster for House of 1000 Corpses.
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The Fascinating History Of Japanese Puppet Animation

For many years now, there’s been a TV series that I would love to see released on physical media in the West and that’s Thunderbolt Fantasy. Besides the fact that it’s a Japanese-Taiwanese coproduction, perhaps the aspect that will stand out the most to people is that it’s created using glove puppetry. This is augmented by several elements such as CGI but this visual style has always stood out to me as being wonderfully stylish and distinct. While the puppetry used in the show is Taiwanese, specifically that of Pili International Multimedia, it made me wonder about the history of Japanese puppet animation which I’ve found to be quite fascinating!

It’s worth noting first that Japan has a history of puppet theatre, Bunraku, which has been popular since the late 17th century. During the early era of Japanese television, around the time when the royal wedding of Prince Akihito and Michiko caused a surge in the ownership of televisions, several notable puppet series were produced such as Chirorin Village and the Walnut Tree that found success in the brand new market of TV.

Chirorin Village and the Walnut Tree.
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My Opinions That Diverge From The Mainstream

I was recently recording for Victory Achieved Gaming, specifically Ori and the Blind Forest, when, among many other topics, Kathlynn and I began talking about Avatar: The Last Airbender due to the upcoming Netflix show. While it proved to be an interesting discussion, it did end up highlighting a particular difference between myself and other fans and, upon watching it again in editing, I thought it might be interesting to do an article where I share some of my opinions that diverge from the mainstream and briefly discuss why.

1. The Legend Of Korra Is Better Than Avatar: The Last Airbender

A picture of Korra from The Legend of Korra

I might as well start with this opinion since I’ve already touched on it and is what ultimately inspired me to write this blog post. I personally believe Korra to be a superior show to The Last Airbender which is something that I’ve rarely heard, if at all, from other people. However, I do have reasons as to why I have this opinion. Firstly, I don’t think The Last Airbender is as great as everyone makes it out to be. Don’t get me wrong, I do like the show overall, but I have a few issues with it. I actually bounced off the show when I first tried to watch it, finding the humour too juvenile and overwhelming the drama of the first two episodes. I eventually came back to it and persevered which is when I ran into my second problem. The first season has quite a few episodes that seem standalone and not important to the overall story. This eventually turns out not to be the case but it takes almost the whole series to finally see their relevance. I was finally drawn into The Last Airbender in the second season but these blemishes as well as a few other issues mean that I’m not as enthusiastic about the show as some others are. In contrast, I was instantly enamoured with The Legend of Korra due to its tighter storytelling and, in my personal opinion, superior balancing of humour and drama. Additionally, The Legend of Korra took several concepts from the original series that I felt was underdeveloped and fleshed them out beautifully. I’m not saying that The Legend of Korra is without its flaws but they interfered far less with my enjoyment than they did with The Last Airbender. Thus, I personally love The Legend of Korra more, in some ways much more, than The Last Airbender. I may be merely one of very few who believe this but this is something that I believe in completely and unerringly.

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Soseki Natsume: Perhaps The Most Important Author Of The Meiji Era

I’ve been playing The Great Ace Attorney Chronicles recently and, upon encountering a certain character, I paused, staring at his name and thinking to myself “Is this that famous Japanese author I’ve heard about?” A cursory bit of research quickly confirmed my suspicion but I quickly found myself intrigued at his experience and the impact that he’s had on Japanese literature. Therefore, I thought it might be interesting to take a look at Soseki Natsume, a man who’s often considered to be the most important author of the Meiji era.

Soseki Natsume was born in 1867, with his birth name being Kinnosuke Natsume, in a rapidly changing Japan which had only ended its policy of isolation, Sakoku, and was in the process of Westernisation and making contact with global powers. Soseki ended up learning the English language and began working as a teacher at several schools. At this time, Japan’s relations were rapidly growing, which would eventually lead to the signing of the Anglo-Japanese Alliance in 1902, and, in 1900, Soseki was chosen by the Japanese government to study English literature in Britain, making him the first Japanese to do so.

Soseki Natsume.
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An Overview Of The Ace Attorney Franchise

Ace Attorney was a franchise that I had little experience with in the past. I, of course, knew of the character Phoenix Wright and his trademark yell of “Objection!” but, beyond seeing a brief bit of gameplay at a friend’s house, I had never had the opportunity to play an Ace Attorney game. It was about a year ago when I first began playing the Phoenix Wright: Ace Attorney Trilogy, a compilation of the first three games in the series, and my experience with it led to an intense admiration for Ace Attorney as a whole. Therefore, I thought it worth doing an overview of the Ace Attorney franchise and why I’m excited to play more of the games in the future.

The very first Ace Attorney game, “Phoenix Wright: Ace Attorney”, came out for the Game Boy Advance in 2001 and was made with a small team of seven people over a period of ten months. Taking the role of Phoenix Wright, Ryuichi Naruhodo in the original Japanese, you must solve cases by collecting evidence before cross-examining witnesses in court and pointing out contradictions. Two sequels, “Justice for All” and “Trials and Tribulations”, were also released for the GBA in 2002 and 2004 respectively but it’s worth noting that these games were only released in Japan at the time. It wasn’t until 2005 when the first game saw an international release as a port to the Nintendo DS with added functionality and a brand new fifth case. The American release proved to be a surprising success, especially strange since visual novels were considered unpopular at the time, and eventually saw the other two games released internationally as well.

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Some Stop Motion Animated Works That I Love

With the rise of CGI animation, we’ve seen other forms of animation struggle to be made in the West, something which I personally find to be quite sad. However, a form of animation that I don’t often bring up on this blog, certainly not as often as traditional or CGI, is stop motion. Some of my favourite animated works are stop motion and, so, I thought it might be interesting to highlight some in particular that I love and that I’d recommend to any fan of animation.

1. Robot Chicken – Snail Rides A Turtle

Robot Chicken is a show that is often quite reliant on pop culture references and, when you don’t know what they’re referencing, it can take some of the humour from the sketch. However, there are quite a few that don’t and one of my favourites is a mere three second sketch where a snail rides on the back of a turtle and exclaiming in delight about how fast they’re going. It’s a very simple joke, particularly in regards to Robot Chicken, but it’s one of several from the show that has stuck with me throughout these years.

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A Change To The Blog Post Schedule

It’s been over four years since I released my first post on this blog and, ever since, I’ve been releasing two blog posts a week almost continuously. However, I’ve recently felt the need to change this schedule due to other aspects of my life. Therefore, I thought it worth devoting a blog post to this change in schedule, what’s happening to the blog for the foreseeable future and some of the reasons why I feel the need to do this.

Let’s start by addressing the elephant in the room, the change in blog post schedule itself. Rather than continue to release two blog posts a week, I’m now going to be releasing only one blog post a week. This was actually something that I intended to do far sooner, probably within months of first starting the blog, but I felt the need to continue after several of my early goals weren’t met. I believed that having more and more content on here would eventually solve the problem and, to some extent, it has. Viewership has increased over time with more views in 2023 than in 2019, 2020 and 2021 combined! However, I will say that a couple of those early goals have, even after all this time, still not been met and the benefit of releasing two blog posts a week has steadily depreciated over time. That’s why I feel that now is the time to go back to my original plan and release blog posts on a weekly basis.

A graph showing blog viewership in, from left to right, 2019, 2020, 2021, 2022 and 2023 respectively. While it’s true there’s been a small dip from 2022 to 2023, both dwarf the viewership from prior years.
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Now Is The Time For Anime Ltd To Release Tokusatsu

I recently went to the cinema in what seemed like a very, VERY, long time to see the newest Godzilla film, Godzilla Minus One. For those wondering, I thought it was an excellent movie and is one that I’m eagerly anticipating seeing again with some friends once the home video release is out but I also took note of the UK and Ireland distributor of the film, that being Anime Ltd. I was already aware of this as I’d read that they’d expanded the number of cinemas due to demand but I still wondered whether the film would prove successful for them. It seems that it has as Godzilla Minus One has already become the highest-grossing live-action Japanese film ever in the UK and Ireland box office! Therefore, I believe that now is the time for Anime Ltd to finally move into an area that I’ve been asking companies for a while now, that being to release tokusatsu films and TV series.

Just to briefly remind readers of what tokusatsu is, it refers to Japanese live-action media that focus on the use of special effects and is most heavily associated with the Kaiju and Henshin Hero genres. I was curious whether Anime Ltd had even released any live-action media before and, while certainly not comprehensive, I looked through their website’s catalogue in order to see. As far as I can tell, the only live-action media that Anime Ltd have released prior to Godzilla Minus One is the live-action adaptation of Tokyo Ghoul as well as two documentaries, Never-Ending Man: Hayao Miyazaki and 10 Years with Hayao Miyazaki. Even if they have released some others, if you’re aware of any others feel free to leave this information in the comments below, it’s clear that tokusatsu is a relatively underdeveloped part of their business model and one that I would love to see expand.

The poster for Godzilla Minus One.
Godzilla Minus One has proven to be an unexpected international hit!
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What Are The Japanese Playing Cards Karuta?

I was recently watching the Higurashi anime series and there was a scene, which in Higurashi fashion we saw again later on, in which the main characters partook in a card game that involved grabbing them quickly when something was said. I recognised that I’d seen this game in other media and decided to take a look into it. Therefore, I thought I might explain what karuta is and as well as some of the history of these Japanese playing cards.

First off, let’s take a look at the cards themselves and, more specifically, the types of games you can play with them. Karuta cards are broken up into two groups, cards that are descended from Portuguese-suited playing cards and cards whose lineage hails from E-awase. The two most popular card games, Uta-garuta and Iroha karuta, come from the E-awase group while cards of Portuguese-suited playing cards descent continue to be used for gambling games such as Koi-Koi, Oicho-Kabu, Tehonbiki etc.

An example of two cards, a pair, that are used in Uta-garuta.
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A Few French Language Animated Films That I Love

I’ve spoken before about how much I love animation and how people should watch films from other countries besides just the US and Japan. In particular, I’ve seen quite a few French language animated films at this point and, though it is by no means extensive, I think I’ve now experienced enough of these movies that I start picking out a few of them that I particularly love.

1. Long Way North

A French-Danish coproduction, Long Way North is set in 19th century Russia and follows a young member of the aristocracy called Sasha who travels to the Arctic in search of her missing grandfather who set off to explore the North Pole several years before. I found myself pleasantly surprised by the character development that Sasha goes through as well as how endearing yet grounded the cast of characters were. I also adored the art style and, barring a few moments, thought the animation was very impressive.

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