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An Overview Of The Godzilla Franchise

For many years, I’d been waiting patiently for an opportunity to begin watching the Godzilla films, arguably one of the most important franchises in Japanese popular culture. Recently, I began watching the Godzilla movies after I picked up Criterion’s release of the Showa era Godzilla films and have since become determined to explore the world of tokusatsu in greater depth. However, with an official 36 Godzilla films, many people are understandably confused or intimidated by the series and, so, I decided that it would be worth providing an overview of the Godzilla franchise and the eras and timelines.

Arguably the most important film in the franchise is the one that started it all, the original 1954 film that introduced the world to Godzilla (known in Japanese as Gojira). The film opens up with several Japanese fishing vessels being destroyed mysteriously and the discovery of a giant radioactive creature that threatens Japan. The film was the originator of “Suitmation”, a technique developed by the late Eiji Tsuburaya which had the monster portrayed by a person in a latex suit. This technique would go on to become a staple of not only the kaiju industry but the tokusatsu industry as a whole. However, another important aspect of the original Godzilla film is that it would become the springboard from which nearly every Godzilla timeline would begin.

The Japanese language poster for the original Godzilla film released in 1954.
The Japanese language poster for the original Godzilla film released in 1954.
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Why Toonami Was So Important For Western Anime Fandom

The late 1990s and early 2000s was a very exciting time to be a fan of anime. What had once been a relatively niche product which often saw dramatic edits and changes to try to appeal to Americans began to hit mainstream popularity and, while many edits continued to occur, series and films began to be released in a more loyal fashion. While there were many avenues that the burgeoning Western anime fans could pursue to experience the world of anime, I thought it might be interesting to take a look at one particular source, Toonami, and how it contributed to the rising Western fandom.

First, let’s discuss the origins of Toonami. Originally releasing as a programming block within Cartoon Network in 1997 to replace the Super Adventures block, it oriented itself as focused on action animated series, in contrast to the comedy series typical for the channel. The early years predominantly focused on Western animated series although we did see a smattering of anime series such as Voltron, Sailor Moon and Dragon Ball Z. However, the brand was refocused in 1999 with the establishment of a new host for the channel, T.O.M., and the announcement of Toonami Midnight Run, a programming block that would air after midnight and show content too violent or inappropriate for the daytime Toonami block.

The logo for Toonami.
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The Tokyo 2020 Olympics And Japanese Popular Culture

As this article is being written, the amusingly named Tokyo 2020 Olympics are due to begin on the 23rd of July, 2021 and proceed until the 8th of August, 2021. Barring some catastrophe, it seems unlikely that they are going to get postponed again like they were last year. Taking this into account, I thought it might be interesting to take a look at the Tokyo 2020 Olympics and how Japan has decided to use it as a vehicle to promote Japanese popular culture worldwide.

First, I should clarify that I myself have little to no interest in the Olympics and I can only imagine that I’d end up watching them if someone physically restrained me to a chair and forced me to watch them! However, I do confess that I’m quite interested to see how the Japanese government handles their “Cool Japan” push in the context of the games and whether this is ultimately a success.

The logo for the ironically named Tokyo 2020 Olympics.
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The Wondrous World Of Tokusatsu

I was recently on UK Anime Network going through news with regards to anime and manga when I came across a review for the 1954 Godzilla movie, part of a bigger box set. Upon doing some research, I quickly found out that it was on offer on Amazon and, having had the first Godzilla on my wishlist since 2013, I quickly bought it and posted an unboxing video of it. Having watched a few Godzilla movies now, I have suddenly whetted my appetite for the wondrous world of tokusatsu. Considering how obscure tokusatsu can be compared to anime and manga, I thought it might worth examining what tokusatsu is, the history and some of the more notable entries in the medium.

First, it is worth noting that the word “Tokusatsu” is made up of the characters 特撮 which can be translated as “special effects” but now also refers to a genre of Japanese live-action films or TV series that are heavily reliant on special effects. I confess that I was initially confused as to how, beyond the fact that they were Japanese, this differentiated them from the films produced in other countries that also rely on special effects. The difference lies in the reliance on practical effects during filming rather than creating the special effect through editing such as stop-motion.

The Japanese language poster for the original Godzilla film released in 1954.
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My Ranking Of The Marvel Cinematic Universe Films Part 3

Here is the conclusion to “My Ranking Of The Marvel Cinematic Universe Films Part 2“.

7. Captain America: The First Avenger

Easily my favourite Marvel film within Phase One, Captain America: The First Avenger is set during World War II and sees a young, frail man named Steve Rogers selected for a program to create a superhuman to help America win the war. The film does practically everything right with some sharp humour, political commentary and strong action scenes. It’s a film that shows how a government can exploit someone gifted, such as when they use Captain America for propaganda and war bonds, establishing Steve’s personality, his devotion to protecting others, while also explaining how he ended up in the present day.

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My Ranking Of The Marvel Cinematic Universe Films Part 2

Here is my continuation of “My Ranking Of The Marvel Cinematic Universe Films Part 1

15. Ant-Man

I confess that I was quite sceptical when I heard of the existence of the Ant-Man film. Comedy actor Paul Rudd playing a superhero that can become small or big didn’t seem like a particularly exciting premise. Imagine my surprise then when I ended up genuinely enjoying this film! Paul Rudd does a surprisingly excellent job playing Scott Lang, fresh out of prison, struggling to find a job because of being an ex convict and being forced back into a life of crime which leads him to steal the suit that will allow him to shrink, grow and become strong. In many ways, Ant-Man is a comedic heist film and, while not being the most original film in the world, I ended up pleasantly surprised.

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My Ranking Of The Marvel Cinematic Universe Films Part 1

I have spoken before about my history with the films of the Marvel Cinematic Universe and, considering the upcoming release of Black Widow, I thought that now might be the time, finally, to discuss my personal ranking of these movies. Keep in mind that this list represents only my personal opinion and that readers are free to disagree with my thoughts and ranking of each film. With all that out of the way, let’s begin with my least favourite MCU film.

23. The Incredible Hulk

This movie ranking so low will probably be unsurprising to those familiar with the Marvel Cinematic Universe films. The second film of the MCU, released in 2008, the film stars Edward Norton as Bruce Banner with a nice nod to fans of the original TV series as Lou Ferrigno provides the vocal performance of the Hulk. The film itself isn’t terrible but feels decidedly average with a poorly developed romance between Bruce Banner and Betty Ross, played by Liv Tyler, dragging the movie down. The film has also aged poorly within the Marvel Cinematic Universe as Bruce Banner was later recast with Mark Ruffalo replacing Edward Norton. Taking all this into account, I have no hesitancy in saying that The Incredible Hulk is the film I look forward to the least when I watch the MCU films.

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Why Is Manga So Dominant in American Graphic Novel Sales?

There was a recent news story which stated that the Demon Slayer manga alone had outsold the entire American comic industry. While this story turned out to be incorrect, the discussion that it provoked was quite fascinating and so I decided to take a look at the reasons why manga can be so dominant when it comes to American graphic novel sales.

First off, we should take a look at the bestselling graphic novels in the US in 2020. Looking at NPD Bookscan’s sales charts, who claim that they have sales information on approximately 85% of the physical book market in the US, you’ll notice how dominant manga seems to be. While no specific sales figures are given, you can see that the best selling graphic novel in the US in 2020 was the first volume of My Hero Academia, a manga. In fact, of the top 20 best selling graphic novels, only 5 are not manga with Strange Planet occupying the second slot, Stranger Planet in the seventh slot, March: Book One in the eleventh slot, Snug: A Collection of Comics about Dating Your Best Friend in the twelfth slot and a rerelease of Watchmen in the 15th slot. While we don’t know the difference in sales numbers between each entry, I do think that it’s fair to say that manga has become quite dominant when it comes to American graphic novel sales.

The first volume of My Hero Academia was the best-selling graphic novel in America in 2020!
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Why Mini Theaters In Japan Are Important

I was recently scratching my head over the existence of the Gundam Reconguista in G compilation films. Considering the negative reception surrounding Gundam Reconguista in G, it seemed like a strange move to release five compilation films. “Is anyone actually watching these films?” I distinctly remember wondering. I decided to go to Anime News Network and see if they had any information on the box office of the Gundam Reconguista films that had been released so far. I found an article detailing box office grosses in Japan around March 2020 and, while perusing, I noticed the statement that the first Gundam Reconguista compilation film had “ranked at #1 in the mini-theater rankings for its two weekends.” I was quite perplexed. “What’s a mini theater?” I wondered. Upon doing some impromptu research, I realised that mini theaters are an important and fascinating aspect of the film industry in Japan and decided to share what I had learned.

First off, what’s a mini theater? A mini theater is a type of movie theater that is smaller than a typical movie theater, is not associated with any major film companies and is free to distribute the films they desire. With regards to mini theaters in Japan, these films are typically Japanese indie/arthouse films or indie/arthouse films from other countries. Of course, it would also seem as though they distribute other types of films as well. After all, I wouldn’t refer to Gundam Reconguista in G compilation films as either indie or arthouse.

The poster for the first Gundam Reconguista in G compilation film.
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The Unusual Process of Japanese Voice Acting

When it comes to the differences between anime and animation from the rest of the world, I’m always startled at how different the various processes can be. Easily one of the more unusual is the process of recording Japanese voice acting for anime. Considering how different it can be compared to other forms of animation, I thought it might be worth examining this process and learning why it’s done this way in Japan.

First, I should probably explain the standard outside of Japan. In Western animation, and most of the world, the voice actors are provided the script, deliver their lines and the animation is later animated. There are numerous reasons why this is done but a sample would include being able to use the performance to inform the way the character moves and emotes and to lip synch the dialogue to the character’s mouth. If you have ever watched a Disney animated movie, a Dreamworks animated movie etc., this process is how those films were produced.

Interestingly, Akira, an anime, was also produced via this method.
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